Category Archives: Television shows

Game of Thrones Season 7 WTF moment

Honestly, the only thing we could think for the last ten minutes:

“Is she burning the supply train?”

“Wait! Isn’t that the food?”

“She’s burning the FOOD?”

“It’s WINTER you stupit #%$!! You don’t burn the FOOD! Now we’re all gonna starve!!!”

“Somebody better kill that idiot.”

 


My Take on Season 7 of Game of Thrones

“Previously on Game of Thrones . . ..”

You keep waiting for the recap to end, but, no, it just keeps leaping from event to event, without any semblance of cohesion or relationship between those events. Just bam, bam, bam, here’s your plot points. Forget conversations, forget travel time, forget anything but driving through this material as fast as possible just to get the darn thing over with.

That’s why I’m so bored of it already. It’s like an hour-long recap of episodes we didn’t get to see.


Winter is never coming, not really

So, yeah, Season 7 of Game of Thrones is on, I have paid for an HBO Go subscription, and it’s Thursday and I haven’t even bothered to watch Episode 2.

It didn’t help that GRRM was all being coy again, well we MIGHT have a Song of Ice and Fire book in 2018 and it MIGHT be The Winds of Winter, but it will probably be just another damned compilation of stories about kings and dragons whom we don’t give the first crap about.

Give it up, George. If you don’t want to finish the damned books, don’t finish them. But stop playing games about it. Just admit it– I’m having too much fun living my life, the series has become a huge pain in the ass, and I don’t enjoy sitting down to write it anymore. Fine. Hand it off to Brandon Sanderson, tell him what you originally wanted to happen, and he’ll pound out a few hundred thousand words like the very good methodical worker he is. And it will all be over.

And GRRM can do whatever the hell he likes without ever having to field a question about “WHEN” ever again.

Seriously. He doesn’t sound like a man who is writing from passion, he sounds like a harried man writing with a deadline he can never, ever, ever meet, and hearing the discontent growing around him. All the while, the television series spirals into the basic equivalent of such a bad fanfic that anyone with any genuine love for the characters in the novels has long since given up on even thinking of them as the same people.

Go to Bali, George. Hand the stupid series over to Sanderson or one of those guys you actually trained and just let it go. You’ll be infinitely happier, and as long as they hit the basic touchpoints, you’ll have done what you hoped to accomplish.

And we can stop pretending that this ridiculous television version has any basis in human behavior, plot, or common sense.

 


Ye Olde Women Punished for Enjoying Sex Theme (This time in Iceland!)

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(This post will include spoilers for the first four episodes of the Icelandic television show “Trapped” (2015) that is currently being streamed on Amazon Prime. If you haven’t watched the show and plan to, you might want to skip this post entirely. It may also mention scenes from other films or television shows. If you don’t care for frank discussions of sex, you may want to drop out about now, too. Sure, the monks in my novel are celibate, but they’re monks, lol.)

 

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Women have a hard time of it when it comes to sexual enjoyment. No, that’s not a pun, sorry, it’s just a statement of fact. If you’re a woman and you’re having fun in bed on television or in the movies, something bad is bound to happen to you. It’s like writers have this inner script in their heads that’s been based mostly off of teenage slasher films. Sex means death!! Well, for chicks anyway.

I am always hopeful that we’ll get more media presentations of women enjoying a spot of cunnilingus without it having to be somehow twisted into something awful, but so far I have been disappointed in the mainstream media. (Note here, I don’t watch shows that are AIMED at lesbians, they may be an exception but I don’t know. And that’s beside the point, anyway. Women on women isn’t where the, ah, meat of the problem is. The problem is the depiction of men doing something which is primarily aimed at pleasuring a woman. The media has a problem with that aspect of it.)

“Trapped,” the Icelandic detective show, is a show very much in the vein of other recent and popular mysteries– Fortitude, Broadchurch, Vera, Shetland, True Detective, etc. Things aren’t always as they seem, everyone’s probably involved in some sort of extramarital hanky-panky, and there may or may not be fantastic elements. Or it could all be explained by the normal weirdness of humanity, who knows. Trapped has the benefit of being set in Iceland, which is currently a travel destination hotspot, and also the benefit of starring a bearishly adorable and sexy lead actor, Ólafur Darri Ólafsson. The muscle from Game of Thrones, Hafþór Júlíus “Thor” Björnsson, has some new competition for the most cuddlesome Icelandic guy these days.

There’s also an attractive young actor, Baltasar Breki Samper, who reminds one of a younger version of Viggo Mortensen. In the opening scene of Season 1, Episode 1, his charachter, Hjörtur, is shown blazing along on his motorcycle with the beautiful young Dagný, played by Rán Ísóld Eysteinsdóttir, clinging to the back. They’re young, they’re in love, they’re being reckless and wild. There’s no real presentiment of doom unless you’re expecting this to be a slasher film, they could just stumble upon a dead body or something, right? So we follow them into a building, it looks like a converted warehouse with a loft, and up to bed.

And here’s where it gets interesting. Ahem. They get naked, and we’re shown a lingering shot of the guy, Hjörtur, making his way down her body, trailing kisses, then a glance up as he begins, ah, his work. The shot cuts back to her face and breasts as she obviously enjoys his attentions.

And then, while she’s having a post-coital snooze, he goes downstairs to take a leak and the whole damned building goes up in flames. Hjörtur tries to get back up the staircase to save her, but it’s too late. He’s badly burned, things explode, and the beautiful young woman is burned to death. Boom, that’s the end of poor Dagný. You let someone go down on you, you die in a fire. sigh.

The havoc that this death wreaks in the community is a big theme in the next few episodes, leading to suspicions and hatred and confusion, which is all to the good in a modern mystery show. But it still seems pretty harsh that the golden-light bathed young woman, being given such attentions, is then punished by a truly brutal death. They could have just shown them going at it in the usual way, there was no particular reason to show the sex in this way. Well, Hjörtur was devoted to the girl, and her death pretty much wrecks his life. I suppose it’s the way they chose to show that he REALLY loved her.

Which says an uncomfortable lot about the way sex is both portrayed and lived in these days. I have a pretty good understanding of the numbers behind Tinder and Hinge and Bumble and all those dating apps, and the numbers are depressing. Women are participating in all this sex, but they’re not actually getting the big O from it with much regularity. That’s not just guesswork, it’s actual research, which I am way too lazy to go look up at the moment to link for you. (It’s been a long week already). So, people are hooking up, the guys are getting what they want out of the equation, and women are getting . . . what? Not oral, not usually. And not even orgasms as often as one would hope. If you’re going to all the trouble of exposing yourself to someone else’s diseases and DNA, you’d at least hope for real pleasure out of it. But that, it seems, is too much to ask.

Or, I guess, just a function of female anatomy. In television land, we apparently still live in that fantasy world where strictly penetrative sex can light off the fireworks for women, even though that’s been shown to be about 15% of us females, at best. These rare diversions into showing cunnilingus, then, should be a lot more normative, you’d think. The numbers show that the vast majority of women WANT that from a man. The majority of men claim to enjoy it and to perform it. So why is it that, on television, we can’t seem to just give it a wink and a nod and assume it’s going down (sorry, that WAS a pun)– we have to find some way to make it dreadful.

If you’ve read my previous post about this in the show “Hemlock Grove”, you’ll know that this was a huge problem in that show, too. Every incidence of a male orally stimulating a female was plagued by so many problems that it basically became its own horror subtext in the show.

In “Trapped,” so far, the only other sex we’re shown is problematic, too. One implied act of sexual exploitation of a trafficked woman, and one act of infidelity ala Mrs Robinson, with the wife of one of the civic leaders getting it on with a much younger boy who is, presumably, a student at the school she works at. Yeah, it’s not looking so good for good sex in this show right now. Is it asking too much for sex acts between people who are in love, for it to be non-coercive, non-exploitative, and not punished by being blown to smithereens?

I’ll keep watching the show, as it’s pretty good and the cuddlesome cop lead is so cuddlesome, but I’m not holding out much hope. I will, however, report back if some woman is actually able to experience that terrible power-shifting sexual experience that our television writers are so scared of leaving unpunished.


Game of Thrones Season 7, Episode 1

Here there be spoilers. You’ve been warned.

Well, well, well, we’re off to a . . . stunningly slow start. Sure, the Arya-gorefest was, uhh, disturbing, but it wasn’t exactly edge-of-your-seat television. Then we went to the Citadel for . . . manual labor. Lots of it. Hey, I know CGI is expensive, but couldn’t you have given us a glimpse of a direwolf or, really, ANYTHING except the endless parade of turds in bowls that we were treated to during this season opener? And, seriously, how delicate of a stomach could Sam possibly have? If you’re emptying that many chamberpots, you’re going to have to man up at some point. Or, at least you’d think so . . ..

(Shoutout for Jim Broadbent! Yay!! All the love, Jim.)

My daughter and I were discussing the lack of “pornification” that has gradually been evolving. It’s a good thing, mostly, no more gratuitous shots of naked women that make no sense other than titillation. However, we have finally discovered the secret of how all those brothel workers kept such immaculately shaved lady parts and man-scaped genital regions– the Ancient Valyrian Steel Razor. Washed in wine in between uses, this remarkable weapon has been combating pubic hair since the time of Bran the Builder. I’m sure we’ll see it in use again, they can’t have an entire season without naked people.

This episode, however, was filled with clothing that was Making Martial Statements. People mean BUSINESS, people. Chain linked leather dresses, enough wolf fur to animate an entire pack of direwolves, and very Serious Heels on Daenerys. Honestly, they looked way too sensible, like something Hilary Clinton would wear. But maybe that’s the statement they wanted to make– she’s seriously walking across that sand. (And, yeah, she’s short and needs the boost.)

The winner of the episode, for me, was Euron the not-so-Crow-Eyed. The shirt was awesome, the reckless panache with which he wore it, the cutting remarks about Jaime and his presumed uselessness, it was all win. Sure, he’s not quite the psychotic magician of the novels, but he holds promise. The fleet, which he must have used magic to create, since the Iron Islands famously don’t have much in the way of forests, was impressive, too. I am really enjoying Euron. Right now, he’s the only character that seems to have any sense of humor.

In the North, well, Jon was slow out of the gate, but he did The Right Thing, as he so famously tries to do all the time, and it worked out well so far. I’m sure it will come back to bite him in the ass later. Ghost was still a complete no-show, which breaks my heart, since Ghost pretty much IS Jon’s heart. Budgetary reasons, my left foot. Anyway, Sansa was remarkably . . . dumb. I mean, she overplayed her hand in the clumsiest and most ridiculous way possible. I guess she really did only learn her political lessons from Cersei (and we know how well Cersei plays the game, hah. Subtle is not her gift.) The lovely young Lady of Bear Island made Sansa look like an idiot as she effortlessly supported Jon’s idea of arming girls, stripped the objection from the guy who was objecting, and did it all while looking in-control, intelligent, and truly the essence of a Northern girl. Sansa needs to take notes.

The rest of the episode was pretty snoozy. The Hound saw a vision in the flames, which again we couldn’t see because “oh, no budget for it”, Ed Sheeran sang a song around a campfire but the other guys in the party of soldiers got all the good lines, all the people around Daenerys had to stand around looking uncomfortable and saying nothing while examining a curiously-rotted castle that was occupied as of just a few months ago.

Me, I am not very hopeful yet. There’s way too much IMPORTANCE stamped on every line, and way too few lines that are just people interacting. You can see where the characters are being stampeded, and it’s frustrating me to see how things are falling into patterns that I had hoped would be avoided. I mean, at this point, are we really holding out any hope that Jon and Daenerys WON’T have sex? I don’t want them to, I think they’re a match made in hell, but it sure looks like the pathways are converging with that outcome in mind.

Ah well. Time for me to get busy writing my own Book 2, where I can promise that no cousins will have sex under any circumstances.

In the meantime, yeah, if you want to read another book about dragons, except one where it’s a lot more like the Night’s Watch meets dragons and less like the Dorne disaster, buy my book, now available on Kindle, Dragon Venom.

DragonHeadd

 


Release date: July 17th, 2017!

Okay, I’ve moved the pre-order date for my novel, Dragon Venom, up by nearly two weeks. You can pre-order it now and it will deliver to your Kindle or Kindle app on Monday, July 17th!

That means you can get your Game of Thrones fix on Sunday and then read my book the next day, in case you want your dragons to be more like scientifically plausible complex creatures with personalities instead of, say, ravening beasts. I mean, my dragons can still kill with ease, sure, if bloody dragon warfare is your thing. There’s plenty of that in my book, too. But no naked bald chicks, sorry.

So, order your copy today, or read it in its entirety on Kindle Unlimited!


No Rest for the Writer

Well, now that “Dragon Venom” is finally up on Amazon, it’s time for me to get to work on the other projects I have planned. Yes, Book 2 of the A Poison in the Blood series, “Blood of the Queen,” is in that list somewhere, but there are two smaller projects that I intend to finish before the summer is over. One of those is the memoir that I’m editing, and one of them is a YA novel that finally, finally, finally found its inspiration and framing device. It took it long enough– I’ve been carrying around that title and those images for years.

The good thing about the YA project is that it’s only going to be about a 50,000 word novel, so it’s do-able inside a month. I write a minimum of 2000 words a day when I’m working, even if it feels like it’s being ground out over broken glass and salt, so it should go by pretty quickly. And the memoir is easy– the hardest part will be transcribing all the letters and things. Even with word-recognition software, mistakes creep in, and you have to go back over it word by word and comma by comma to make sure that it’s suddenly not discussing small radish croutons or something weird.

It occurs to me that this is exactly what George RR Martin has been maligned for doing– working on other things besides his fantasy series. But, hey, unless HBO comes calling, I don’t think a one month delay in the production of “Blood of the Queen” will harm anyone.

Speaking of GRRM, I am trying to gird up my loins to hate-watch Season 7 of Game of Thrones. I’m not exactly looking forward to it– I am convinced, at this point, that they’re going to force Jon Snow and Daenerys to hook up. Which is a huge huge ick factor for me– not only is it the stereotypical fantasy ending that GRRM swore he was trying to subvert all those decades ago when he began the series, I just personally wish that Dany would take a flying leap off that dragon and impale herself on a tree. It would be very Vlad Tepes, right? Also satisfying for us confirmed Dany haters. 🙂

 


Gratuitous Gore in Game of Thrones

Caution: Extensive Spoilers Ahead! For both the Song of Ice and Fire books AND the Game of Thrones HBO series! Abandon Hope, All Ye who Enter!

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So, anyway, last night I finally caught up with Game of Thrones on my DVR. What can I say, it’s been a busy week. Anyhow, I was generally pleased by the changes that the tv series has made to the book storyline– at this point, I am almost ready to call it a completely alternate universe of Westeros and be done with comparing the two universes. Most of the main characters have been improved hugely beyond their characterization in the texts, and many of the pacing problems of the books have been avoided. One tiny little thing niggled at me, though, when the show was through . . . a tiny pinkie finger, and the torments thereof.

You see, in “A Storm Of Swords”, the book that Season 3 of the show is mostly following, we do not see or hear of the fate of Theon Greyjoy. He basically disappears from the text, only reappearing in the later books, transformed utterly by the experiences he’s had in the interim. Those experiences, at the hands of the bastard of Bolton, are essentially tortures that are almost unimaginable in cruelty and sadism. Thankfully, GRRM doesn’t subject us to every detail of them. The aftermath, and the slow reveal of all Theon’s missing appendages and broken bits, is horrifying enough.

The television series, on the other hand, has subjected us now to several scenes of graphic torture. I have to say that I entirely disapprove of this– not just because torture is sickening to watch (which it IS), but because it’s a lousy choice to portray something so graphically for such an extended time. Eventually, the audience recoils– if you’ve ever watched the movie “Casino”, I bet you can remember the point at which you sat back and said “Now, this is just sick for sickness’s sake.” There comes a point where the mind, in order to protect itself, just shuts down the empathy section and refuses to care about these characters anymore.

A lot of people had that reaction to Mel Gibson’s “The Passion of the Christ”, so it’s not just mobster movies that can tilt the emotional pinball machine. By choosing to hit us with graphic scenes of torture, both physical, as in the first scene of having his feet broken in the screws and the later scene where his finger is flayed, and psychological, as in the mind-boggling false escape and the later game of lies, the television series risks the very real possibility that the audience will just dissociate themselves from the events. I’ve read several comments on various websites that lead me to believe that a lot of people are having that reaction already. They’ve gone from squirming in their seats in horror to just walking out of the room to get a soda or something.

In a way, it’s a sort of PTSD of TV. Not to trivialize the very real disorder, but for sufferers OF those types of disorders, especially, these scenes may be unbearable even to read about.

I think GRRM chose the right path in his books. By letting us slowly see the results of torture instead of the torture itself, we are allowed to gradually build up some feelings for the broken betrayer of the Starks. He’s done hideous things, but what was done to him was, in a way, his payment for those crimes. The Theon at the end of Book 5 is not the Theon of Book 1. He’s been shattered and is slowly piecing himself back together. It’s one of GRRM’s better pieces of characterization.

By showing us the torture, perhaps the show’s directors felt they were making sure we knew that Theon paid his dues in the dungeons of the Dreadfort. I think it’s too much of an appeal to our worst sides, too much like what people call “torture porn.” There’s a faintly lascivious air . . . which is made even more apparent in the final scene of torment of the episode “The Climb” . . . a scene that I knew was coming but was very nauseated by anyhow.

I had a feeling that the character of “Ros” on the show was due for a death– she had no more real role to play in the events to come, and her usefulness was pretty much over once Sansa and Littlefinger went on to their next destination. I was expecting her to be written out . . . maybe not expecting her to be explicitly shown to be the harlot that Littlefinger sent to an unpleasant demise at the hands of a sadist. But her death scene, in her ripped clothes and cross-bow-crucified pose, was another instance of “too much” in the graphic (and sexualized) violence scale. Mercifully, the scene was brief, but the image lingers in the mind. It’s reminiscent of the queerly obsessive attention that we still pay to the Jack the Ripper Murders. Murder, when it involves a prostitute, seems to become another sort of “service” that they’re providing for the public. By being paraded around by the media in pictures (or carefully positioned and shot in a television reenactment), the public is led to what is, essentially, another exploitation of them.

Yes, yes, it’s all for the audience, and we keep watching so it must be okay with us . . . but will we keep watching? As the thousands of books, websites, and magazine articles about the Jack the Ripper case can attest, we probably will. The scenes of Littlefinger’s whorehouse are, mercifully, now at an end as he moves off to court Lysa Arryn, but the camera’s lustful eye will soon turn to Dorne and the scantily-clad southern women, to Meereen and the scantily-clad women, to Braavos and, well, more scantily-clad women . . . and then there’s the torments ahead for our various heroes and villains. How many more torture scenes with Theon do the directors expect us to endure? The one in this episode dropped my own internal rating of the show down. Any more, and I’ll be strolling to the kitchen instead of sitting on the couch . . . and I’m pretty sure that’s not what the people at HBO want me to do.

Cut the torment, Game of Thrones. Have some mercy upon your viewers, even if there is none (story-wise) for poor Ros and Theon.


Downtown . . . in Hemlock Grove

Okay, so this isn’t exactly a nice post, and anyone who really gets upset by sexual discussions might want to just scroll on past . . .

Ok . . .

We ready?

Yeah?

All right.

So, I spent several hours of my irreplaceable precious life watching Netflix’s newest “Made for Netflix” series, Hemlock Grove. And, yeah, it was a pretty silly way to waste 12 hours of my life, but I found it campy and amusing in its own way, and the kid who played the werewolf was, well, really cute, in an adorable “Don’t you want to pet him and feed him a sandwich and check his i.d. to see if he’s over 18 before you ogle him” kind of way.

I was most interested, however, by the way the show depicted sexual encounters. I’m going to give you a huge spoiler alert right now and say that, if you haven’t finished watching the show (or ever want to watch a silly “vampires-and-werewolves-fight-crime” show), you might want to stop here.

Spoiler space

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Okay, now that we’ve eliminated the readers who don’t like to discuss human sexuality and those who don’t want to be spoiled for Hemlock Grove . . .

(You guys HAVE stopped reading, right? Here’s your last chance.)

The whole show, since it’s a made-for-online show, doesn’t fall under the rules for TV shows, so it has some pretty explicit sexualized scenes. That’s not exactly surprising in a world where HBO is the big bad boy on the street. There’s one scene that’s a positively-portrayed sex scene between high school seniors, which is questionable at best. Since they are each other’s “true loves”, however, we’re supposed to let it slide. Another scene is, frankly, rape.

One spoiler that you’d need to understand the rest is that two of the characters, a mother (Olivia) and son (Roman) are basically vampires. They have mind-control powers. Roman is 17 and can force people to do acts against their will, although every time he uses this power, he gets a nosebleed. His mother never spills a drop of blood, although we highly suspect throughout that she’s controlling people more subtly. Roman doesn’t know he’s a vampire, however, and may just be a novice at the whole thing. He craves blood, especially during sex, and we see him cutting himself during sex in order to facilitate his little vampiristic bloodlust. Creepy, but, well, not the creepiest thing we’ve ever seen.

We do, however, see him a) spot a girl who is on her period, since she has a tampon sticking brazenly out of her purse, b) follow her to the bathroom, and c) persuade her (possibly with his mind-control, we don’t know for sure) to allow him to perform oral sex upon her.

That was pretty creepy. And, honestly, menstrual blood isn’t per-se blood, but that’s probably too nit-picky for most people. But it’s still a pretty questionable way for anyone to portray cunnilingus. Gross, really.

The two young lovers (the werewolf and his pregnant girlfriend) do use a little oral stimulation by the male before they get the bed rockin’, but it’s clearly foreplay and definitely a situation where it’s freely engaged-in and pleasurable for both parties. Applause, at least, for that.

The other two instances, however, are definitely questionable, and both for the same reason: the vampire mind control bit. The mother, Olivia, has a scene where she is receiving such pleasuring by her (married) brother-in-law. Afterwards, he stands up and straightens his tie and she sends him back off to work . . . we get a strong hint, here, that she coerced him to do this. In the last episode, we see her directly mind-controlling this same man, so it’s definitely a possibility that she’s been playing with his head all along (Don’t kill me for the pun, it was unintentional, I swear!)

The last instance is during the rape scene– Roman begins what seems like a consensual encounter with a young woman by giving her some rather perfunctory oral stimulation. Then he rapes her. After this very heinous and terrible act, he makes it worse by using his mind control powers to force her to forget the whole thing. It’s almost impossible to retain any sympathy for his character after this point, no matter what comes afterwards. All in all, it was a wrenching scene, made worse by the fact that he briefly made the young woman think it was going to be a good encounter– by doing that act which is, presumably, for the woman’s pleasure.

So, we have four instances of oral sex being performed upon a woman. Three of those are definitely not positive depictions of the act. The last one is . . . troubling. Not because cunnilingus is prohibited during the marital act, no, but because it wasn’t between a married couple, for one, and two because these two young people weren’t supposed to be adults.

That last fact was . . . dare I say it, unintentionally, rendered the most squicky and uncomfortable by its timing in the show– I’ll explain.

The young werewolf and his girlfriend are walking peacefully across a large lawn. They sit down on the hill, cuddle, and exchange soft words. The werewolf hunter, who is watching them with binoculars from afar, looks at them and says, “They’re children. They’re all just children.”

And then it cuts to the explicit sex scene.

If it wasn’t intentional, the director needs a kick in the nuts.

Ahem. Just my opinion, of course.

All in all, Hemlock Grove was not a victory for a discerning viewer when it comes to depicting oral sex. Some people may question whether it should ever be depicted, period– of course, that’s a problem in and of itself. I happen to think that, if it is depicted, it should be in a way that doesn’t make it either a) disgusting, b) non-consensual, or c) illicit. Possibly, that can never happen. I’m no expert in the field.

I am, however, disappointed, Hemlock Grove.

Very, very disappoint.

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Writing batteries

I’ve spent the past few weeks pondering the nature of blogging, as well as my unfortunate habit of acquiring books and then forgetting to blog for several months. I can’t really apologize, because, well, I’ve read 30 books in the past 3 months, and some of them were decidedly excellent page-turners that kept me up way past my bedtime. Only one of them was actually Bad, as in “the kind of bad that you read only to try to understand how this shit got published, ever”, and even then I came away from the experience wiser.

I have discovered that, yes, you DO have to build the characters up for the readers BEFORE you put them into emotional situations. If you don’t, well, the readers simply won’t care. You can’t tell your readers that your character is a good person worth caring about. They won’t just buy it. Especially if you show the characters acting like total jerks and/or idiots and still tell us they’re great. Mostly it will get your book tossed across the room, or, even worse, you’ll have a page on Goodreads with NO comments or juicy forum posts.

The things that make for juicy forums and busy Goodreads pages– details left unresolved, hints and clues, ambiguity, and characters with muti-layered personalities, as well as dense plotting.

Those things are hard to create, especially when one has been plowing through novels at a headlong pace. So, no, I have not been writing lately. I have been gorging on spy novels and crime television, glutting myself on the Big Fat Fantasy greats, and wading through schlocky romance books in search of something to replace several good series that have ended (alas, I still haven’t found a GOOD romance/family intrigue/dramatic series. Most of that stuff is phoned-in instead of actually written.)

Someday, I will write again. But, well, Game of Thrones is going into Season 3 soon . . . and in May, AMC will be playing Season 3 of The Killing. . . and, well, I used my birthday money from my dad to finance my space opera habit to the tune of several Iain M. Banks and Alastair Reynolds novels, as well as the game “Fallout: New Vegas” which I will undoubtedly sink 60-80 hours into.

So, will I ever write?

I think so . . . I feel ideas budding inside my head, but they’re just not ripe yet. The idea of fusing genres is tickling at my nose, leading me through old spy novels from the Cold War and histories of WWII. There’s something there, something that’s going to be important in my next novel, but I have to finish digging it out. I know it will make for a much richer and more layered story than I’ve done so far. So I have to chase these ideas down for a while.

And then, I’ll write.